El Ciervo, c.1930

Published May 10, 1999 Updated June 12, 2023

Sebastian Comas y Ricart - Hija de A. Comas “El Ciervo” Spanish Catalan pattern, c.1930.

1930 Latin AmericaSpainNaipes Comas NEGSAEl CiervoCatalan Pattern

COMAS “El Ciervo” Spanish Catalan playing cards

This particular design was produced by Sebastian Comas y Ricart of Barcelona and their successors, and then by Hija de A. Comas (Josefa Comas, Sucesora) for use at home as well as export to various South American countries, including Argentina, Uruguay, Paraguay and Brazil. The designs were adopted in Argentina by Cia Fabril Financiera as their house-style and are still used today by Joker S.A.. The four of cups shows a deer which gives the pack its name. The ace of coins shows a decorated base or plinth supporting various trophies evoking maritime trade and prosperity: an anchor, a caduceus, a cornucopia, a barrel, a large medallion or shield displaying a crowned head, and various flags all topped by a crown. The four of coins depicts a shield and a quiver full of arrows adorned with ribbons and vines. The kings wear moustaches. These same designs can be seen in Uruguayan children’s playing cards from c.1930 and in Naipes ‘Jaque’ by Casabo S.A.

Sebastian Comas y Ricart - Hija de A. Comas “El Ciervo” Spanish Catalan pattern, c.1930

Above: Sebastian Comas y Ricart - Hija de A. Comas “El Ciervo” Spanish Catalan pattern, c.1930. The five of swords is missing from this particular example, but would probably have had the legend “Hija de A Comas - J. Comas - Barcelona - No.5B”.  See an earlier example here

REFERENCES

Tena Fuentes, Salvador: Testimoni Històric de Naipes Comas, N.E.G.S.A, 1994

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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