Lewis I. Cohen
Lewis I. Cohen made his first deck of cards in 1832. In 1835 Mr Cohen invented a new machine to print four colours on a sheet at once, which was to revolutionise the entire playing card industry.
Lewis I. Cohen (1832-1860)
Lewis I. Cohen made his first deck of cards in 1832. In 1835 Mr Cohen invented a new machine to print four colours on a sheet at once, which was to revolutionise the entire playing card industry. This innovation soon led to his dominance in the market. In 1838 he moved to 118 William Street and in 1844 purchased a large building at 184-190 William St., to house his newly expanded plant. At the same time he relocated his store to 134 William St. Meanwhile Lewis Cohen gave control of his firm to his son Solomon L. Cohen and his nephew John M. Lawrence. On Lewis Cohen's death in 1860 the company changed to Lawrence, Cohen & Co. and in 1864 to Lawrence & Cohen.
Above: 'Highlanders' deck produced by L.I. Cohen, c.1840-60. The full-length courts have been made to resemble the wood-block courts of earlier times. A facsimile edition of the deck was published by U.S.Games Systems titled 'Highlanders'. See fragments of cards discovered behind an old door hinge.
Lawrence, Cohen & Co. (1860-1864)
On Lewis Cohen's death in 1860 the company was managed by his son Solomon L. Cohen and his nephew John M. Lawrence, and the name changed to Lawrence, Cohen & Co. In 1864 the company name changed yet again to Lawrence & Cohen. The cards shown below are from this brief period.
Above: one of the earliest decks with the Lawrence, Cohen & Co. name, which can be read on the Ace of Spades along with the 184 William Street address, c.1860. This subsequently became the address for the New York Consolidated Card Company when this was formed in the early 1870s.
Lawrence, Cohen & Co. became Lawrence & Cohen in 1864.
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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