Bertschinger y Codina
Fantasy Spanish-suited playing cards by Bertschinger y Codina (Barcelona), c.1850.
The four of cups has the inscription “Bertschinger y Codina“ plus a rising sun trademark.
Brief history of the Bertschinger playing card factory
Samuel Bertschinger (Fábrica de Bertschinger), originally from Lenzburg in Switzerland, was a playing card manufacturer working in Barcelona during the period c.1805-1836 • See cards . A registration in the historic archive of Barcelona records a building permit granted in July, 1826, for Samuel Bertschinger to modify 3 balconies and windows in a house he had recently acquired in Sant Pere Més Baix 5, Barcelona. In March 1828 Bertschinger receicved a royal visit to his factory.
Samuel’s son, Manuel Bertschinger, and his son-in-law Antoni Codina i Augerolas became involved in the family business, trading as Bertschinger y Codina (active c.1822-1861) and continued producing playing cards and later expanded into wallpaper due to its growing popularity. Other printing businesses began to do the same, for instance, Pablo Miñón in León (active 1813-1836) also expanded their offerings beyond traditional playing cards. The skills and techniques used for printing playing cards could evidently be applied to creating other visually appealing products but competition from foreign imports and other market forces was tough and many businesses failed. The Bertschinger y Codina factory building was sold by auction in November, 1871.
Change of address of Bertschinger playing card factory, 1819
Change of address of Bertschinger y Codina playing card factory, 1824
Change of address of Bertschinger y Codina playing card factory, 1826
Royal visit to Bertschinger y Codina playing card factory, 1828
On the morning of March 27th, Their Majesties visited the playing card factory of Bertschinger and Codina, where they attentively and with great pleasure learned about all the operations necessary for the manufacture of cards up to the point of readiness for packaging. They saw how, with a single stroke, the paper was glued and card stock was formed, they saw the molds being engraved and learned about the instruments used for this purpose; they saw the front and back of a deck being printed and then saw how it was illuminated and polished; they also saw and admired the uniformity and promptness with which the cards are cut by the machine designed for this purpose; and finally, they saw their arrangement and placement for the formation of the decks. In each of these operations, Their Majesties made it very clear that they were extremely satisfied with the good order and taste they observed in the establishment, but their generous hearts were not content with such demonstrations alone to fill the owners of the factory with honor and satisfaction. They allowed the principal of the factory to speak in German with Her Majesty the Queen for almost the entire duration of the visit, and after having toured the rest of the establishment's offices, both august and affable Sovereigns gave their Royal Hands to all those present, and concluded this last act of kindness by leaving amidst cheers, which they tried to reciprocate by expressing their love and gratitude.
Samuel Bertschinger, 1833
Fábrica de Naipes Bertschinger y Codina, 1835
Fábrica de Naipes Bertschinger y Codina, 1835
Antonio Codina y Rosa Bertschinger tax amortization, 1839
Bertschinger y Codina playing card factory, 1841
Change of address of Bertschinger y Codina playing card factory, 1845
Bertschinger y Codina were awarded a bronze medal by the Evaluation Committee of the 1850 Industrial Exhibition.
New address of Bertschinger y Codina playing card factory, 1855
Announcing “a complete assortment of painted papers, jasper, marble, and embossed papers, all perfectly finished. These are intended for use by bookbinders, manufacturers of cardboard boxes, confectioners, hatters, upholsterers, etc. ... we have introduced innovation that combines economy and high-quality craftsmanship. Our new decks feature designs and engravings by two top artists from this city. These cards are easy to distinguish as each suit is marked by a different colour, and the names and shapes of the suits are preserved. The back of the cards showcases elegance with samples engraved in bronze instead of wooden molds, offering a finer and more precise finish. If the public approves, we will consider our ambition fulfilled”. — Bertschinger and Codina.
Legal proceeding and notification of Debt, 1867
Auction of Bertschinger y Codina playing card factory at Calle de la Ciudad 13, 1871
References
Ajuntament de Barcelona: Sant Pere Més Baix 5. Samuel Bertschinger►
Arxiu de Revistes Catalanes Antigues: ARCA►
Bartolomé García, Fernando R.: «La popularización del papel pintado en España a lo largo del siglo XIX», download PDF ABS Bilduma, 2020►
Ferro Torrelles, Victor: Registro de Naiperías Españolas 1380-2004, Asescoin, Madrid.
Wikipedia: Casa-fàbrica Bertschinger-Masriera►
A standard 48-card Catalan pattern pack by Manuel Bertschinger can be seen on the British Museum website with the rising sun trademark and an inscription on the four of cups “Por. Bertschinger. En. Barcelona. 1832”: Museum number 1957,1121.6►
By Simon Wintle
Member since February 01, 1996
Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.
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