Four Empires - Clemente Roxas
‘Four Empires’ playing cards produced by Clemente Roxas, c.1805.
Clemente Roxas produced this fine, luxury pack of playing cards on the theme of ‘four empires’ or ‘four quarters of the world’ reflecting aspects of Spanish history in around 1805. The courts in the four suits depict full-length costume figures of American Indians, the Arabs, the Roman empire and the Spanish colonists of America. It was produced with or without index numbers. The letters "Dn. C.R." can be seen on the base of the pedestal on the king of cups. The ace of coins bears the arms of Castile and León surmounted by crown. Beneath this a lion grasps a sword and a globe. Columns and drapery serve as decorative support to the arms, whilst a tower and a ship can be recognised in the distance. On the four of coins four naked children sit around a table playing cards.
On the ace of cups two satyrs hold the large cup symbol steady while two naked putti cavort on the four of cups. The ace of clubs shows two turbaned figures raising the suit symbol, whilst the four of clubs has a vignette depicting a party of naked children dancing in a circle; the four of swords shows Mars being aroused by a genius holding a blazing torch as the god reaches for his helmet.
Above: ‘Four Empires’ playing cards produced by Clemente Roxas, c.1805. 48 cards. Hand-coloured etching, backs printed in green with a design of entwined ivy leaves. © The Trustees of the British Museum • Clemente Roxas: four corners of the globe►
References
Willshire, W. H.: A Descriptive Catalogue of Playing and Other Cards in the British Museum, Trustees of the British Museum, 1876, reprint 1975 (Spanish 263).
WCMPC Collection: Acquisition No. 556►
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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