Félix Solesio e Hijos

Published June 13, 2023 Updated July 16, 2024

Félix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela

1802 Latin AmericaSpainVenezuelaFélix SolesioReal Fábrica de MadridSpanish National PatternBritish Museum

Félix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1802. These cards bear various inscriptions and symbols that reflect their origin and purpose. The ace of coins has the inscriptions "Real Fabrica de Madrid" and "Por D. Felix Solesio e Hijos". This indicates that the cards were manufactured by the Royal Factory of Madrid under the supervision of Felix Solesio and his sons. The 4 of coins reads "Naypes Finisinos fabricados fn Madrid H. 1802", which translates to "Finest playing cards manufactured in Madrid, 1802." The 2 of cups bears the words "Para Cracas", showing that the pack was made for Caracas in Venezuela. The medal on the five of coins shows the same coat-of-arms as the ace. The four of cups carries Solesio’s trademark sun, derived from his family name. This sun symbol serves as another distinctive element associated with the Solesio brand.

Since the late 18th century production of the Spanish National pattern was carried on under control of the Real Fábrica de Madrid monopoly, thereby prolonging its life as the orthodox design of the time. Another branch of the Royal Manufactory was set up in Macharaviaya (Malaga) to supply South and Central America, and the Madrid cardmaker Felix Solesio was put in charge. He also appears to have been operating in Madrid in this instance of a pack destined for Venezuela.

Felix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1802. © The Trustees of the British Museum Felix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1802. © The Trustees of the British Museum Felix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1802. © The Trustees of the British Museum Felix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1802. © The Trustees of the British Museum

Above: Félix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1802. Hand-coloured woodcut, no index numbers, 52 cards. Backs printed in blue with a small formal pattern. © The Trustees of the British Museum • Museum number 1896,0501.831


Another example

Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1801. The inscription on the 2 of cups is "Para Caracas". The ace of coins is lettered "Real Fabrica De Madrid" and "Por D Felix Solesio e Hijos". On the 4 of coins is a shield lettered "Naypes finisinos fabricados en Madrid H. 1801".

Felix Solesio e Hijos - Real Fábrica de Madrid - Spanish National pattern for Venezuela, 1801. © The Trustees of the British Museum

Above: 52 card pack, hand-coloured woodcut, backs printed with a series of blue diamonds and blue dots. © The Trustees of the British Museum • Museum number 1876,1014.472-522

Even after independence, the former motherland’s influence remained in the South American countries.

References

Denning, Trevor: The Playing-Cards of Spain, Cygnus Arts, London, 1996.

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Spanish 55) [digital version here]

Willshire, W. H.: A Descriptive Catalogue of Playing and Other Cards in the British Museum, Trustees of the British Museum, 1876, reprint 1975 (Spanish 259).

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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