Juan de Brugada
Spanish National pattern by Juan de Brugada e hijo, Real Fábrica de Madrid, 1821.
The Spanish National pattern was the orthodox reference for Spanish-suited cards for over 250 years and a basis for several offshoots. This example by Juan de Brugada, Real Fábrica de Madrid (the Royal Manufactory awarded chosen manufacturers the monopoly of playing-card production), is dated 1821.
The four kings are unbearded and their feet are hidden by their robes. The four cavaliers are captivatingly portrayed as horsewomen, with flowing tresses and distinctive U-shaped breasts. This artistic innovation emerged around 1810, potentially influenced by French Aluette packs. This suggests that the Spanish packs were being adapted to accommodate Aluette players, thus making them more accessible. The horses depicted in a rearing stance add a dynamic element to the composition.
Following the closure of the Real Fábrica, numerous new workshops emerged, giving rise to personal interpretations of the National Pattern. These interpretations were tailored for domestic markets or Spanish America and North Africa, often replicating or imitating its distinctive features using newer printing technologies. The decorative motifs on the four and five of coins are often seen in later Belgian copies.
By Simon Wintle
Member since February 01, 1996
Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.
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