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Joan Barbot

Published November 04, 2011 Updated May 29, 2025

Joan Barbot, San Sebastian c.1765-1810.

1997 SpainAsescoinFacsimiles & ReplicasHistoryJoan BarbotArchaic PatternsFranco-Spanish

Joan Barbot, San Sebastian

Joan Barbot originated from Poitiers (France) and settled in San Sebastian in his youth. He became a playing card manufacturer and his workshop was recorded in 1761 as one of four existing in the city. Barbot died in 1810 and his widow, Dña María Miloy (“la naipera”), continued running the business until it burnt down in 1813.

A similar pack is listed in the British Museum and described as follows: “The ace of coins has the arms of Spain displayed on an eagle with the name J. Barbot below. The maker's monogram appears on the 2 of swords and the ace of clubs. On the 2 of coins are the shields of Aragon and Castile. The large coin in the 5 of coins has the head of a king.” [Department of Prints & Drawings, Registration number: 1896,0501.857].

facsimile edition of cards made by Joan Barbot, San Sebastian, c.1765

Above: cards from a facsimile edition published by Naipes Heraclio Fournier S.A. of an original pack held in the “Fournier” Playing Card Museum, Alava (Vitoria-Gasteiz), Spain, in 1997 on the occasion of the Asescoin AGM held in San Sebastian that same year. The publication was sponsored by Fundación Cruzcampo in celebration of the leisure and comaraderie which card playing has always been associated with.

Reference

Museo Fournier de Naipes de Álava : Baraja Jean Barbot

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By Simon Wintle

Spain • Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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