French Playing Cards

Above: fragment of uncut sheet containing red knaves, mid-XV century.

Above: cards by Jean de Dale, c.1500.

Above: cards by Jean Personne with inscriptions such as "Paris", "Melusine", "Conte de Chalou" and the maker's name "Jhan Personne" on a scroll.

Card playing was introduced into France at an early date. The game of Tarot was also brought from Italy into France. During the 16th and 17th centuries France was the major supplier of playing cards in Europe.

Some of the oldest cards still in existence come largely from Lyons, a city in which the craft of cardmaking flourished from an early date and which became an important centre of French card-making. It seems that the provinces bordering on Italy and Germany were the first to produce playing cards. Indeed, an ordinance from Paris, 1377, forbade card games on workdays. Another ordinance from the city of Lille, dated 1382, when Lille belonged to France, forbade various games including dice and “quartes” (an early word for cards). There is also the well-known account of a certain Jacquemin Grigonneur who in 1392 was paid 56 “sols Parisis” for three packs of gilded cards, painted with divers colours and several devices, to be carried to the king for his amusement. No-one knows what sort of cards these were.

Above: Spanish-suited pack by Benoist Laius, c.1712

Above: Marseille tarot by Charles Cheminade

Above: the Provence pattern

Above: Lyons pattern, c.1780

Above: Paris pattern

See also: The Dauphiné pattern   The Genoese pattern.

Much of the early history of cards in France is to do with standard designs and their spread, coupled with a keen sense of economic advantage. Having invented the ‘French’ suit system (piques, coeurs, carreaux & trefles), which required only black and red, French manufacturers were able to introduce economies of labour which gave their products a competitive advantage. Jean de Dale (active 1485-1515), Jean Personne (1493-1497), Antoine de Logiriera (Toulouse, 1495-1518), Martial Gué (Limoges, c.1538) and Pierre Marechal. Several examples of cards by Jean Personne survive (see below right) in museums and libraries.

French regional patterns, primarily originating in Paris, Lyons or Rouen, spread across Europe in all directions and many of their descendants survive today. See the origin of the “Suicide King”►

At an early period French card makers introduced the practice of giving the names of heroes from literature or epics of chivalry to the court cards: Alexander, Julius Caesar, Charlemagne, David, Rachel, Argine, Judith, Pallas, Hector, Lahire, Lancelot and Hogier. In each case a romantic story or legend is associated with the person named on the card.

Some early French cards have Latin/Spanish suit symbols, as do some early German cards, and the queens are replaced by cavaliers. They were used for playing games such as Aluette. Spanish-suited cards reached many different places, having spread along trade routes of the time. The only survivors among Spanish-suited cards in France today are Aluette cards (primarily of Brittany) and the French Catalan pattern of the Eastern Pyrenées.

By the fifteenth century French suit symbols - hearts, diamonds, clubs and spades - had crossed to England. During the sixteenth century Rouen and Lyons became centres for the exportation of French playing cards, and cards were imported to the British Isles from Rouen and to the Netherlands and Germany. From England, of course, they spread to America and have become ubiquitous throughout the world.

Playing cards soon attracted the attention of tax authorities in France. As early as 1613, Louis XIII decreed that cardmakers should place their name on the knave of clubs. In 1701 a further law was passed laying down fixed designs for the cards from each of the nine regions, so that stereotyped figures (portraits) from each region were produced which could be identified by the authorities. Some individual court designs reoccur in different regional or even foreign (exported) patterns, sometimes reversed or with a different suit symbol.

Tarot cards had arrived in France from Italy in the first half of the 16th century, with Italian suit symbols, introducing the idea of trumps. Subsequently, French-suited tarots were also produced. There appear to have been three standard tarot types in France: "Tarot de Marseille", "Tarot de Besancon" and "Belgian Tarot" but today most tarot games are played in France with the "Bourgeois Tarot". The esoteric tarot was also developed in France during the 18th and 19th centuries.

During the seventeenth century a number of attractive non-standard cards were issued, including educational and quartet games, heraldic or armorial cards and geographical cards. These have been followed more recently by important editions of cartomancy cards, several types of tarot cards and elaborately engraved costume cards.

The backs of playing cards used to be plain, without any printed patterns. As an economy measure, incomplete packs would not be thrown away. Instead the plain backs were often re-used as notelets, invitations, calling cards, library cards, bookmarkers, and so on more →

At the time of the Revolution and the first Empire packs were published, artistically designed by David, Gatteaux and others, which harmonised with the new ideas. These enjoyed only a brief popularity and the old type soon reappeared.  See: Jeu de l'an 2→

Above: Revolutionary figures on the court cards, end of 18th century. Stencil-coloured woodcuts, French suit signs. Images courtesy Dan Dragojevich. See also: French Revolutionary anti-Royalist playing cards, subtitled “Jeu des Philosophes de l’An II”, first published by the printer Gayant in Paris, 1793.

• Nouvelles Cartes de la République Française

  The kings, queens and jacks are replaced with Geniality, Liberty and Equality, above which there is only the Law (the true sovereign of free people).

  

  Above: Nouvelles Cartes de la République Française printed by U. Jaume et J.D. Dugourc.

Above: three cards and wrapper from "Le Petit Cartomancien" manufactured by B.P. Grimaud, Paris. The miniature playing cards in the top corners depict full-length 'Paris' type courts, whilst the rest of the cards contain divinatory interpretations and images of different personalities.   See more →

Above: cards from a finely engraved deck by F. d'Alphonse Arnoult (Paris), c.1860. 52 cards.   more →.

See also: Pierre Marechal ♣ Richard Bouvier ♥ Benoist Laius ♣ The Dauphiné pattern ♥ The Lyons pattern ♣ Gayant, 1793 ♦ Cartes Comiques du Colonel Atthalin ♦ Cartes Recréatives, 1819 ♦ The Paris pattern ♥ The Genoese pattern ♣ Spanish-suited cards by B. P. Grimaud ♥ Cards for Algeria by B.P. Grimaud ♣ Jeu Louis XV ♥ Mauclair Dacier Sept Familles, c.1890 ♦ O. Gibert, Paris, c.1850 ♣ Translucent Playing Cards ♥ The 'Parisian' Spanish pattern ♥ French Catalan pattern ♣ Cartes Espagnoles ♥ Épinal Tarot ♥ Cartes Questions-Devinettes ♣ Boisse English pattern, c.1870 ♥ Grand Jeu Mlle Le Normand ♦ Dieudonné & Cie, Aluette ♣ Le Jeu de Marseille ♥ Philibert ♣ Dusserre ♣ Orient-Express ♥ Jeu Moyen Age ♣ French tarot ♦ Chamborama ♣ Geneviève Lirola ♥ Jeux L.G.L., Paris ♣ Livre du Destin ♥ Salvador Dalí ♣ Cassandre for Hermès ♥ Legendary Harley-Davidson ♥ Masonic Playing Cards ♣ S.S. France ♥ Marché 7 Familles ♣