German playing cards
Card-playing rapidly became popular in medieval Bavaria and German printers were quick to supply the goods.
Throughout their long history the quantity and quality of German cards has been outstanding. Card playing caught on rapidly in medieval Bavaria and German printers were quick to respond to the demand with a prodigious range of output which now can be regarded as an early example of popular art. German packs were produced with a variety of suit symbols and great freedom of design. learn more →
Suits were divided into two colors, green and red. The pips of one green suit were acorns, and of the other, leaves. The red suits were, and still are, hearts of the conventional shape and hawk bells. Germans have varied their pips perhaps more than any other people.
Probably spreading northwards across the Alps, card playing reached Basle in 1377. In the same year the Dominican monk Johannes von Rheinfelden from Basle wrote an allegory on the pack of cards. Cards are mentioned in the archives of Nuremberg between the years 1380 and 1384. From 1392 there are many references to playing cards in the guild books and registers of German towns. The names of both card-makers and card-painters are recorded, many of whom were women. To begin with most cards were made in the south in cities such as Augsburg, Munich, Nuremberg and Ulm. During the second half of the fifteenth century a succession of masterly German engravers practised their art and engraved playing cards reached a zenith. Many of these packs have survived as precious objets d'art - see more →. During the sixteenth century wood-block playing cards evolved so that miniature burlesque scenes decorated the lower half of each card.
Playing cards in Germany first appeared with several different archaic suit systems involving a variety of everyday objects including flowers, animals, hunting equipment or coats of arms. Gradually standardisation occurred and today the German national suit marks are: Hearts (Herzen), Bells (Schellen), Leaves (Laub) and Acorns (Eicheln). In a true German pack a second Knave is substituted for the Queen, the two Knaves being called Obermann and Untermann (abbreviated into Ober and Unter), and the 2 (Daus) takes the place of the Ace.
It was not until the late 17th century that packs with French suits were made and during the eighteenth century German card-makers excelled with their imaginative and artistic approach to card design. The existence of several German states and their varying fortunes is reflected in the different patterns still used in these areas today. But just as these states have become engulfed in the whole, so the cards are doing the same thing and regional differences are disappearing. German-suited cards are now in the minority, and if standard English cards are not used, then the Berliner or North German pattern is the most prevalent.
Germany abolished tax stamps on playing cards in 1939, and the revenue collection became only administrative. The revenues were not particularly spectacular: in 1966, 4 million DM, in 1976, 6 million DM. The Spielkartensteuer (playing card tax) was abolished in Germany in 1981 [1].
References
1. Cremers, Filip: Belasting is Troef, Nationaal Museum van de Speelkaart, Turnhout, 1992, pp.106-107.
By Simon Wintle
Member since February 01, 1996
Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.
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